Paul is a writer and director who has worked in theatre, TV and film. In the theatre he was Associate and then Artistic Director of the Bristol Old Vic. There he directed numerous productions including Hamlet, Uncle Vanya, The Three Sisters, Othello, Pal Joey and The Master Builder. He worked closely with Arthur Miller on the European premieres of The Man Who Had All The Luck and The Archbishop's Ceiling. He directed Loot at the Royal Exchange Manchester, Uncle Vanya at the Gate Theatre Dublin, The Misanthrope at the Royal National Theatre, In The Ruins at the Royal Court and The Man Who Had All The Luck at the Young Vic.
As a writer, his plays include Doollaly Days (Leicester Haymarket, national tour) and Theory For The Attention Of Mr Einstein (Old Red Lion and Frankfurt Stadttheater).
On TV he co-created the BBC series Casualty and Holby City.
His direction includes: NCS, Poirot (Five Little Pigs), Miss Marple, two films with Rik Mayall Dirty Old Town (also wrote) and Claire De Lune, The Bare Necessities, Bramwell, Blue Murder, Trial And Retribution, Messiah, Kiss Of Death.
He directed The American for BBC/WGBH, his short film Syrup was nominated for an Oscar, Bafta and won the Jury Prize at Cannes. Elijah for Anagram/CTV won numerous prizes including BEST FILM in both the LEO and GEMINI awards.
Sarah holds an MA in Performance and Culture from Goldsmiths. Writing credits include Sudbury Town, a radio play for the Theatre503/TheatreVoice collaboration Urban Scrawl, directed by Gene David Kirk, and The Kratos Effect, a verbatim play for the third anniversary of the shooting of Jean Charles de Menezes as a part of Upstart Theatre's 22nd July Project directed by Tom Mansfield.
Tim Roseman is Joint Artistic Director of Theatre503, where his credits include Natural Selection and The Final Shot.
His theatre directing credits include: Overspill (Soho Theatre, Churchill Theatre, Bromley), Don Juan Comes Home from the War (National Theatre Studio), Skittles are a Reason to Live (BAC), The Arab–Israeli Cookbook (Gate/Tricycle), revival of Journey's End (New Ambassadors), A Number (Dailes Theatre, Latvia), You Might As Well Live (New End), To My Man (Yvonne Arnaud, Guildford/Haugesund Teater, Norway), Lovers (New End), Così (New End), What Didn't Happen (Old Vic), 90 Minutes (Southwark Playhouse), Blackrock (Young Vic), Recruitment (King's Head), Karen Morris Tribute (Old Vic), Our Town (Warwick Arts Centre), On Cigarette Papers (Old Vic/RADA), Kingdom on Earth (Landor), Nearly All Sondheim (Greenwich Playhouse).
He has worked extensively in new writing and has developed plays with the Old Vic, Young Vic, Royal Court, Hampstead Theatre, Soho Theatre, Theatre Royal Haymarket, Pleasance, Gilded Balloon (Edinburgh), Caird Company and RADA. He was Joint Artistic Director of the Theatre Royal Haymarket's New Directions season.
Theatre 503: Crestfall.
Other theatre: Punk Rock (Lyric/Royal Exchange); Macbeth and See How They Run (Royal Exchange); Pornography (Tricycle/Birmingham/Traverse); Serious Money (Birmingham); The Man Who Had All the Luck, The Cut (Donmar/Tour); Home (Bath); Porridge (Tour); The Frontline, (Globe); Overspill (Soho); Testing The Echo (Tricycle/OOJ); Total Eclipse (Menier); Breathing Corpses (Royal Court); Mammals (Bush/Tour); Prometheus Bound (New York/The Sound Venue); A Number (Sheffield/ Chichester); Gladiator Games (Sheffield/ Stratford East); Blue/Orange, (Sheffield); The Field (Tricycle); The Changeling, Mother Courage (set, ETT).
Future work: Sisters (Sheffield Studio); Treasure Island (Kingston).
Opera: Rusalka (ETO); Sweetness and Badness (WNO) and The Magic Flute (National Theatre of Palestine).
Richard trained at the Guildhall School of Music and Drama.
For Theatre503: Mimi and the Stalker, Natural Selection, I am a Superhero
Other lighting design includes: The British Ambassador's Belly Dancer (Arts) The Car Cemetery (Gate) Angry Young Man (Trafalgar Studio 2) Sense, Plasticine, The Bitter Tears of Petra Von Kant (Southwark Playhouse) Twelfth Night, Much Ado About Nothing (Ripley Castle), The Shawl, The Savage, The Collector, Wolves At The Window, The Four Seasons, Anatol (Arcola).
Richard recently re-lit A Midsummer Night's Dream and Merchant of Venice on a UK and international tour for Edward Halls Propeller company.
Mike trained at the Guildhall School of Music and Drama and is a NT Technical Associate.
Theatre: Hello, Dolly! (Regent's Park); Latin Fever (Peacock); Much Ado About Nothing (Fort Canning, Singapore); Peter Pan (WYP); Avenue Q (Esplanade, Singapore); Gigi (Regent's Park); Major Barbara (Olivier); Amadeus (Sheffield); Eurobeat (Novello and UK tour); Aspects of Love (UK tour); Midsummer Night's Dream (Fort Canning, Singapore); Caroline, or Change (Lyttelton); Mammals (Bush & Tour); Bat Boy - The Musical (WYP and Shaftesbury); Songs My Mother Taught Me (Savoy Theatre); Jerry Springer - The Opera (Lyttelton, Cambridge & Tour); The Full Monty (Prince of Wales); The Graduate (Gielgud); Oliver! (London Palladium).
Timothy is a designer and director combining the worlds of moving image with theatrical story-telling. Credits include the direction and design of Dickens' A Christmas Carol, set and costume design for The Lavender Hill Mob and set and projection design of The Hound of the Baskervilles. Timothy (projection design) and David Farley (set and costume) collaborated over the design of the Chocolate Factory production of Sunday in the Park with George, which received the Critics' Circle Design Award, the Evening Standard Theatre Design Award, and the Olivier Award, for Best Design, and in New York, the Outer Critics' Circle Design Award, the Drama Desk Award and the Tony Nomination for Best Design of a Musical, all awarded jointly to Timothy and David.
Knifedge the Creative Network is a multi award-winning creative production company providing innovative approaches for cross-media content production and story telling.